formed from the notes C, E and G We are going to re-order the notes in the chord to create a voicing, but before we do that, we are going to double the root of the chord, the note ‘C’.

We’re using the notes C, E and G. Now imagine that ... You can apply this formula to any other triad or chord, always adding the 7th a tone below the root note. When you speak to jazz, blues ...

the root note, on the G string. Figure 2 offers a clear picture of this voicing. While maintaining the high G note, the D then moves up to E while the B moves up to C, sounding a C/E chord.