the note C is at the bottom. As this note is the keynote of our chord, and at the bottom of the chord, we call this a root position triad. We can double notes in this chord, and add note ...

formed from the notes C, E and G We are going to re-order the notes in the chord to create a voicing, but before we do that, we are going to double the root of the chord, the note ‘C’.

the root note, on the G string. Figure 2 offers a clear picture of this voicing. While maintaining the high G note, the D then moves up to E while the B moves up to C, sounding a C/E chord.

From low to high, we have: Root (C) - dominant 7th (Bb ... a semitone below the 9th from the previous C11 chord. This is our altered note. The E7(#9) is a very well-known chord, but it ...

We’re using the notes C, E and G. Now imagine that ... You can apply this formula to any other triad or chord, always adding the 7th a tone below the root note. When you speak to jazz, blues ...

You need to play an F chord using the Hendrix-style shape with your thumb playing the root note ... and a B passing note E/G# - This could be seen as an E chord with the C note being a sus2 ...

You can think of this one as moving around an open C major chord shape, although you avoid the D string. A slash chord is any chord where the bass note is not the root note of the chord.