There is a simple trick to get seven triad chords that work great together. First, you need to select a major or minor key.

It's very simple to join one chord to the next in the context of a chord progression, and one of the tools in your armoury ...

formed from the notes C, E and G We are going to re-order the notes in the chord to create a voicing, but before we do that, we are going to double the root of the chord, the note ‘C’.

We’re using the notes C, E and G. Now imagine that ... You can apply this formula to any other triad or chord, always adding the 7th a tone below the root note. When you speak to jazz, blues ...

the root note, on the G string. Figure 2 offers a clear picture of this voicing. While maintaining the high G note, the D then moves up to E while the B moves up to C, sounding a C/E chord.

From low to high, we have: Root (C) - dominant 7th (Bb ... a semitone below the 9th from the previous C11 chord. This is our altered note. The E7(#9) is a very well-known chord, but it ...