It's very simple to join one chord to the next in the context of a chord progression, and one of the tools in your armoury ...

Jim Oblon drops some blues science, demystifying the practice of alternating between parallel minor and major pentatonics ...

There is a simple trick to get seven triad chords that work great together. First, you need to select a major or minor key.

Most often, the mode is used in heavy metal (Metallica's Sad But True being a good example) or as a way to improvise over the m7b5 chord ... A Bb C D Eb F G As you can see, nearly every note ...

the root note, on the G string. Figure 2 offers a clear picture of this voicing. While maintaining the high G note, the D then moves up to E while the B moves up to C, sounding a C/E chord.

From low to high, we have: Root (C) - dominant 7th (Bb ... a semitone below the 9th from the previous C11 chord. This is our altered note. The E7(#9) is a very well-known chord, but it ...